Subject: Re: ::: Holiness Unto The Toledo :::
From: "Kadaitcha Man" <nospam@fuck-off-and-die.com>
Date: 27/10/2005, 03:57
Newsgroups: alt.alien.visitors,alt.paranet.ufo,alt.fan.art-bell,alt.magick,alt.usenet.kooks

brotherblue93@hotmail.com, <brotherblue93@hotmail.com>, the sneaking,
sleepy-eyed fumbler, and official of the Royal Forest in charge of picking
up acorns, tehee'd:
STOP PRESSES!
=============

[Re: initial, seminal post examining the socio-cultural epistemology
of the
     absurdly culture-bound and theory-embedded phrase, "Holy Toledo,
Batman!"]

So as not to accidentally languish in the terminal errata of our
potentially inappropriate culturally inculcated mythos we must -- in
good conscience and with the most noble of intent and sh*t -- tack on
the following addenda; the so-called "psych meds*" taken earlier by
our esteemed and erudite author having evidently somewhat befuddled
his generally indomitable caerulean cranial corpulence, causing him to
overlook the following KEY point in regards to that vile, puss-ridden
(and definitely NOT Holy, by ANY stretch of the I mage in nation)
centre of blasphemous filth; Toledo, OH, USA, Sol III, Milky Way:

Postdialectic Cultural Theory In The Works Of Gibson

Thomas R. Suryanarayama [Department of English, University of Illinois]

Narratives Of Fatal Flaw

The main theme of Reicher's [1] model of dialectic deconstruction is not
narrative as such, but subnarrative. It could be said that if precultural
deconstructivism holds, we have to choose between neomaterialist theory and
subcultural nihilism. The primary theme of the works of Gibson is not
narrative, but neonarrative. The subject is contextualised into a
postdialectic cultural theory that includes language as a totality.

However, Debord promotes the use of neocapitalist discourse to challenge
capitalism.

Thus, Lacan promotes the use of simulacra to analyse class. However, Marx's
critique of postdialectic cultural theory states that art serves to
reinforce the status quo, but only if culture is equal to truth; otherwise,
  Therefore, the subject is interpolated into a cultural paradigm of
expression that includes narrativity as a whole. The subject is
contextualised into a postdialectic cultural theory that includes reality as
a totality.

[1] Reicher, S. ed. (2003) Reading Bataille : Subdeconstructive
Preconstructivist Theory, Feminism And Surrealism. Schlangekraft

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