The Alien History of the Crystal Skull
The only place you can find the full true history of the crystal skull
and its 'alien connections' is in the first 5 volumes of Where Were
You
Before The Tree of Life? excerpted here:
The Skull
The next, and perhaps by now fairly obvious interpretation of the
Grail
as the `physical,' or better yet `non-physical' reality,
is that of the original Crystal Skull we have already spoken of. It is
in fact the Holy Grail, though not the highest interpretation of same.
When, Wolfram, seemingly the most knowledgeable writer in Grail
matters
says, "there was a thing called the Grail .. . . A host of angels
left it on the earth," it takes us right back to the original story
we were told by Barbara Clow of how the Annunaki left their third
present here on Earth at the time of their departure. To translate
"lapsit exillis" as `stone from the heavens,' `it
fell from the heavens,' `a stone fallen from the heavens,"
only adds to the burden of evidence for this identification of the
Grail
with the original Crystal Skull.
When Sir Robert tells us in the Perlesvaus of the changing sequence of
images or visions seen in the Grail by Perceval `attended by a great
light' after ingesting shem-an-na, it is consistent with other
portrayals of seeing visions in an altered state of mind within a
crystal ball. We shall say more about this later on, but first to
fully
explain the Crystal Skull and its position as the Grail, we must
briefly
go over again the history of the Skull, and update it to this point.
The History of the Skull
Again, it is from the works of Barbara Clow that we learned how the
skull was brought to Earth "as a gift" by the Annunaki in 10,800
BC. It had been carved on their planet by Spica (or Spicans)—"the
divine architect of Atlantis." The biggest problem with the crystal
skull being left here was that it was still a 4th dimensional object
with 4th dimensional powers—"the crystal is star matter, it would
shatter in the atmosphere, but its vibration can be shifted from the
fourth dimension into the third."
The difficulty with transferring something as `solid' as the
crystal skull from the 4th dimension into the 3rd dimension is the
greater density of the vibrations here, hence the idea of it
`shattering.' A second problem was the time warp that would
surround the object, since time itself is a variable which runs at a
differing speed in the 4th dimension as opposed to the 3rd dimension.
This explains the need in Grail lore for the bearer to keep their
vibrations high, like the virgins of the temple going into the 4th
dimensional place at the top of the temple to meet with the Gods for
the
hierogamous. This would also explain the need to "train" and
attune the people brought to serve it, to stay attuned with it to
prevent the crystal from being `polluted' as was the central
crystal in Atlantis.
The skull's ability to manifest all earthly desires is constantly
mentioned—the manifestation of our thoughts, feelings, and desires
occurring instantaneously in the 4th dimension. The ancient Sumerian
texts talk about the Annunaki using this ability after first
`purifying' themselves, to do exactly that: "Enki and Ensile
go to the DU.KU, the "purification place" "the creation
chamber of the gods," and brought forth Lahore (woolly cattle) and
Anshan (grains)," any thing that is already manifested at the 4th
dimensional level could be reproduced. To create man as a slave
worker,
however, they needed to do the hard footwork of the genetic
manipulation
first.
The Grail Skull's 4th dimensionality explains its association with
the Kabbala, and the idea that the Grail is timeless, since it truly
exists in a `timeless' 4th dimensional state. It also explains
its association with the "stage" of Kabbalistic initiation known
as Tiferet, the equivalent to an initiation into the fourth dimension.
In the Tiferet experience the individual is said to pass beyond the
world of form into the formless—to reach the fourth dimension as it
were. This consists of "sacrificial death," the death of the ego
or one's sense of individuality and the isolation such individuality
entails–and a rebirth or resurrection into another dimension of all
encompassing unity and harmony. For medieval Kabbalists the initiation
into Tiferet was associated with certain specific symbols which
included
a hermit, guide or wise old man; a majestic king, and a sacrificed
god,
to which other symbols were later added—a truncated pyramid, a cube,
and a rose cross—many of which are listed as the visions seen in Sir
Robert's version of the Grail legend.
Since 1993 alone, the Society of Crystal Skulls has investigated more
than 100 crystal skulls. Out of these, only 14 were categorized as
possibly 'ancient' and needing further investigation. There are
certain characteristics of those specified as ancient—reactions to
color, light and sound. The ancient crystal skulls are said to be at a
premium among New Age collectors. Some seek fame through ownership, to
be known as the "Guardian" of a god. Recently accepted legend
tells of ancient skulls even seeking their owners. A skull is capable
of
giving you its entire history if you know the techniques for accessing
the information.
The Crystal Skull is not just a way of seeing the future as suggested
by
the idea of a crystal ball, although the Skull is in fact the origin
of
that understanding. The Crystal Skull is a way of manifesting the
future. The copies cannot do this, although they have many
`magical' powers to boast of. The copies were obviously made by
someone who had access to extraordinary skills, someone who had
obviously had contact with the real one, and someone who traveled
frequently enough to the Yucatan and Mesoamerica where most of the
copies have been found. As a Merovingian sorcerer-king in possession
of
both Atlantean and Druidic knowledge, and having been exposed to the
real Grail-Skull, as we shall soon see, Sigesbert/Wotan is the obvious
choice for the origin of these copies. Descriptions of him using a
flame-thrower to carve out stone temples would relate directly to his
Merovingian and Druidic roots, although the flame-thrower was more a
representation of his ability to concentrate and use `the dragon
energies' in the ley lines of the planet to do exactly
that—carve crystal skulls. The diamond symbol that Sitchin is unable
to explain represents the use of the crystal to enhance the energies
he
was using.
The holes drilled in the jaw of the Mitchell Hedges crystal skull to
make it appear to speak, show how Sigesbert was able to make himself
more of a god to the primitive people he encountered, and who
subsequently worshipped him and the Crystal Skull. (One other thing he
also took to Mesoamerica was the bloodline of Jesus, and with it the
Luciferian gene).
As psychic, Lorraine Darr, said of the Mitchell-Hedges Crystal Skull:
"At times the Skull was a projected form that appeared and felt
physical and was not physical at all. And sometimes the Skull was in
its
physical form. The difference lay in what the intentions of the
priests
and the teachers were." This would account for the shifting visions
of it had by Sir Gawain in the Perlesvaus being `real' and yet
not being `real'.
Darr also says that the skull was used as a form of teacher, and as a
form of God:
"Magic, yes, because the force-field literally filled the area for
hundreds of miles when it was in its physical state that it abides in
now, and when it was triggered and the receiver of the thoughts sent
on
laser beams for the rapid growth of the humans at that time to bring
into the human consciousness the culture, the understandings, the
capabilities, and the wisdoms of many times."
To rebuild the planet and the consciousness of the people so quickly
after the various global catastrophes, something was needed that could
upgrade the survivors on a more rapid basis, like the ME's of the
Annunaki which stored knowledge of everything they possessed so to, as
we have heard, are crystals and the crystal skulls able to house the
histories of the planet, of Atlantean technology and so on and so
forth.
Thus the Crystal Skull would have stored the records of Jesus as well,
accounting for the visions of babies and crucified persons not
specifically listed as Jesus.
Like the Spican crystal that was the interface between earth and sky
in
the Atlantean temple form and kept the land bountiful, so too does the
Grail in Grail lore bring about bounty to the lands of those who
possess
it—"will the wound of the Fisher King be healed , and the Wasteland
returned to fertility." In Arthurian legends such as that used in
the movie, Excalibur, the expression "you and the land are one,"
and "you and the Grail are one," are common references to this
effect had by the King and the Grail upon the land.
Darr also says that the skull appeared and communicated with
Quetzalcoatl "for a period of time. It brought him into
communication with his brothers in the far reaches." The various
incarnations of Lucifer such as Moses and Ra and Jesus himself all had
access to this power source, and used it with great skill and great
knowledge to manifest what they needed to complete the assigned
mission
of each of their various lifetimes.
One version of the much-sought-after mysterious painting by Poussin
called `Les Bergers d'Arcadie' shows the mystical tomb in
the forest topped by a skull. Hamlet's soliloquy of `to be or
not to be' with a skull held in his hand has a far deeper meaning
when looked at in the light of Shakespeare's mystical knowledge
gained from friends in the secret societies of the age.
The channeled entity Adamis, referring to the crystal skulls, says:
"They were created as keepers of records. They contain energy
patterns that record the history of the construction of your universe,
and of descending hierarchical figures that faced the Universe in
Divine
Order." (The different channelings on this subject provided many
varied interpretations of the skulls and their origins.)
Upon their departure, the Annunaki left the Crystal Skull as an oracle
in the Temple at Ur.. It was in Ur that Abraham's father Terach, the
`oracle priest' knew of the Skull, and the influence it had on
keeping the land productive by its ability to forecast and draw in
higher dimensional star energies. When Terach and his family were told
to leave Ur, by the predictions of the Crystal Skull, it went with
them,
and the power of Sumer crumbled.
"When they overthrew, when order they destroyed. Then like a deluge
all things together consumed. Whereunto, Oh Sumer! did they change
thee?
The Sacred Dynasty from the Temple they exiled."
Upon his father's death, Abraham took control of the Skull, and
allowed it to lead he and his family to where they were wanted. It is
on
the `advice' of the Skull that Abraham went into Egypt and
returned as an even wealthier person.
Abraham knew how to use and be used by the Skull. And he passed this
knowledge along with it. His use of these powers, as he was directed,
resulted in the destruction of Sodom and Gomorrah—an incident we
earlier described briefly as being caused by `a nuclear weapon',
which in fact the Crystal Skull can be when used in this way.
Along the way Joseph inherited it from Jacob, the idea of Joseph being
sold into slavery by his brothers being untrue. Joseph became Vizier
to
Thuthmosis IV, pharaoh of Egypt, and he was able to translate the
pharaoh's dreams and forecast the times of feast and famine using
the powers of the Skull. From Joseph, Vizier to the Pharaoh Thuthmosis
IV, it went to Amenhotep IV, better known as Akhenaton, whom we now
know
as Moses. And when Moses left Egypt, the Crystal Skull went with him
to
provide guidance and food each day for all the tribes of Israel, much
as
the Grail is described to provide food for all its guards and
servants.
The third incarnation of Lucifer was in possession of the Crystal
Skull.
Moses and the children of Israel arrived at Mt. Sinai, and the
`burning bush' that awaited Moses there was not really a burning
bush, but a very brilliant and active Crystal Skull, providing
sapphire
tablets etched by the laser-like "finger of God."
David was a later inheritor of the Crystal Skull, and eventually it
passed on to Solomon, becoming housed in the Holy of Holies in the
Temple of Solomon as the source of guidance from the temple, and the
source of Solomon's wisdom.
"I flash into the center of the Temple of Solomon to stand in front
of the central throne of the judge. There. I see a great being who
holds
a gigantic crystal ball . . . Suddenly I realize that this crystal--
the
key to the psychic realms--was made by ourselves, the Nibiruans. It is
a
highly polished asteroid that we picked out of the Sirius star system
long ago. We removed layers of burned incrustation and polished it,
brought it to Earth, and placed it in the center of the Temple of
Solomon."
The crystal skull is as such, an all-seeing eye, just as has been
mentioned was used in the Temple of Solomon. The skull remained in the
temple until the exile in Babylonia when it was moved from `hand to
hand' down through the line of prophets providing them with much of
their powers. When the temple was rebuilt under the aegis of Cyris,
the
skull came back to the temple and was later transferred into the new
temple built by Herod upon the exact sight of the original.
The real Grail became associated with Jesus when it was removed from
the
temple by Jesus' brother, James, and was then indeed brought to
France, as legend describes, by Mary Magdalene. Note here how the
power
moves with the Grail, Sumeria falling into ruin after it is removed by
Terach, Egypt falling into ruin after it is taken by Moses, Palestine
falling into chaos after it is removed by Joseph and Jesus. Its effect
on the land is potent.
Jesus, Mary, and their children are sustained by the Grail in their
new
home, although Jesus still travels. When he eventually leaves for
good,
and Mary passes on, the skull is hidden in a tomb for everyone's
safety. This is the tomb depicted in Poussin's painting, `Les
Bergers d'Arcadie,' which we shall see seems to hold a shrine
status to many of the secret societies, as well as kings and the other
powerful men of history.
The inscription on the tomb in the painting reads, ET IN ARCADIA
EGO—"And in Arcadia I . . ."—which translated is an anagram of
I TEGO ARCANA DEI—"Begone! I conceal the secrets of God."
The next time the Grail-Skull comes out is for Dagobert II because he
marries the Visigoths niece, has the bloodline of Jesus, and needs to
regain his throne, which he does very quickly.
One of history's best known Grail fairies was Princess Melusine,
daughter of the Pictish King, Elinas of Alba - a descendant of the
2nd-century King Vere of Caledonia, Lord of the Dragon. In the year
733AD, Melusine (maintaining the family heritage) married Rainfroi de
Vere, Prince of Anjou—the mysterious son of Dagobert II, also known
as Sigebert (III), and among their offspring was Count Maelo, the
commander of Emperor Charlemagne's army. From Maelo's own marriage to
Charlemagne's sister sprang the Vere Counts of Guisnes who were the
reputed Elf-kings and became England's Great Chamberlains and Earls of
Oxford.
Melusine, as always with the female line, had many associations with
fountains, springs and water in general. In later times these queens
were commonly represented as mermaids (mere maids), and were often
called Ladies of the Lake. This was a style granted to Mary Magdalene
when she had settled in Provence from AD 44. Thus the marriage between
Melusine and Rainfroi or Sigebert was also dually
desposynic—bringing together two of those in whose veins ran the
bloodline of Jesus and the Magdalen.
It is for the Skull that Dagobert II is killed, not to end the
bloodline, but for the Grail. His assassins do not get it, however. It
is rescued along with Sigesbert (variously titled III or IV) and taken
at first to his mother's home at Rennes-le-Chateau in the Languedoc
in 679 AD. Although it does not go to the Yucatan with him, the
original
remaining hidden in Ireland among relations from Dagobert's first
marriage, Sigesbert does however have the copies created, some of
which
have now been found in Mesoamerica. Upon his final return to Europe
the
Grail-Skull winds up in the hands of his protectors, the founders of
the
organization that would later become the Prieure De Sion and the
Templars—the protectors of the bloodline.
The dispute between the two organizations in Giscors in 1188 that
eventually split them, and which no one can seem to justify, was over
possession and guardianship of the Grail-Skull.
Under the auspices of Bernard de Blanchefort, fourth grand master of
the
Order of the Temple, something was later concealed in the vicinity of
Rennes-le-Chateau—something for which a contingent of German miners
were imported under the most stringent security to excavate and
construct a hiding place. Some have suggested that this work was done
to
house the Holy Grail (housing of the Skull would demand a special
environment to preserve it from being shattered in the 3rd dimensional
world).
In Holy Blood, Holy Grail, recent high officials of the Prieure de
Sion
have made statements that seem to confirm some world-shaking secret
kept
by them that obviously seems to go beyond just the revelation of
Jesus' continuing lineage. In 1960, when he was interviewed, M.
Plantard spoke of an "international secret" concealed at
Giscors. M. Chaumeil emphasized the antiquity of the Prieure de Sion
and
that its objectives were not exclusively confined to restoring the
Merovingian bloodline. He declared that the Prieure did in fact hold
the
lost treasure of the Temple of Jerusalem—the booty plundered by
Titus's Roman legions in AD 70, and it would be returned to Israel
"when the time is right." He also implied that this
"spiritual treasure" consisted, at least in part, of a secret
that would facilitate a major social change.
It is around the discovery made by Berenger Sauniere in
Rennes-le-Chateau in 1891 that books such as Holy Blood, Holy Grail
are
centered in there quest for the meaning of the Holy Grail.
Rennes-le-Chateau, once known as Rhedae, was the official residence of
Giselle de Razes, Dagobert II's second wife and niece of the king of
the Visigoths, one time caretakers of the treasures of Solomon's
Temple plundered from Rome. It was in the church, the foundations of
which later became the foundations for Berenger Sauniere's church,
that Dagobert and Giselle are said to have been married. They then
resided in the area for more than three years.
During Sauniere's redecoration of this church four parchments were
found under the altar stones which rested on two hollow Visigoth
columns, a place where the Templars are known to have stored their
important artifacts and documents and a well-publicized purpose for
the
pillars of various temples.
Two of the parchments are said to have comprised genealogies, one
dating
from 1244, the other from 1644. The two remaining documents had
apparently been composed in the 1780s by one of Sauniere's
predecessors—the Abbe' Antoine Bigou (personal chaplain to the
noble Blanchefort family, who on the eve of the French Revolution,
were
still among the most prominent local landowners).
One message said, "To Dagobert II King and to Sion belongs this
treasure and he is there dead." Other messages in the parchments
seemed to suggest that Poussin's painting "Les Bergier des
Arcadie" held "the key." The key to what it does not say,
although some of the code in the messages has not been able to be
translated. Without a doubt though it has to do with the Grail and to
the secret of the Crystal Skull, for in the subsequent renovations,
Sauniere exhumed a curiously carved flagstone dating from the seventh
or
eighth century—the time of Dagobert and Sigesbert. Beneath this
flagstone there may have been a crypt, a burial chamber in which
skeletons were said to have been found. What was, in truth, found as
well as the skeletons were specific references to the Grail—the
Crystal Skull, by then in the hands of the Prieure de Sion.
Many have seen the Grail as evil, and as one can imagine, to poorly
educated Christian country folk, the powers it invests in people could
easily be seen to be `of the devil'. In his discoveries at
Rennes-le Chateau, it seems evident that the Grail's power was also
perceived this way by Sauniere, and he reflected this view in his
subsequent redecoration of the church.
Over the next few months, Sauniere became very wealthy and did
business
with important figures from all over Europe. The redecoration was then
able to be done in a much more lavish and most bizarre style. A Latin
inscription incised in the porch lintel above the entrance reads:
Terribilis est locus iste ("This place is terrible"); a gaudy
representation of the demon Asmodeus—custodian of secrets, guardian
of hidden treasures--and according to ancient Judaic legend, builder
of
Solomon's temple—was erected inside the entrance.
Visitors came to Sauniere from far and wide, among them the Archduke
Johann von Habsburg, a cousin of Franz Josef, emperor of Austria. Bank
statements subsequently revealed that Sauniere and the Archduke had
opened consecutive accounts on the same day and that the latter had
paid
over a substantial sum to Sauniere.
The Vatican exonerated Sauniere of any wrong doing, more likely than
not
being scared of the power he now wielded through the knowledge he had
acquired of Jesus' still existent royal lineage.
Rennes-le-Chateau seems to have been central to much of the history of
the Grail since it arrived in Europe. It was also of great interest to
many other parties as well, among them the Nazis who during WWII
commissioned excavations in the area apparently to look for the Grail.
Wagner is also said to have composed his opera Parsifal after visiting
that particular location.
It was through knowledge acquired in the use of the Grail that Godfroi
de Boullion was sent to Jerusalem to acquire the Tablets of Testimony
and the rest of the treasures of the temple.
Grail lore reached its height in mediaeval times around the time of
the
Templars. `Baphomet', the god whom the Templars were accused of
worshipping, "on other occasions seems to be associated with an
apparition of a bearded head . . ." In their worship, The
Templars "surrounded or touched each head of the aforesaid idols
with small chords, which they wore around themselves next to the shirt
or flesh . . . But most striking in the list is the head's
purported capacity to engender riches, make trees flower, and bring
fertility to the land. These properties coincide remarkably with those
ascribed in the romances to the Holy Grail."
The Templars rise to international prominence was remarkably swift and
they became advisers to monarchs and parliaments alike, much as Joseph
had once done in ancient Egypt. Certainly they must have literally
wielded some ungodly power to rise to the levels they did so quickly,
to
become kingmakers, and to have no one above them but the Pope himself.
It was this power and their knowledge that also led to their downfall.
They learned the lessons of secrecy, much as their descendants, the
Masons, have been so adept at putting into practice.
The cord mentioned is reminiscent too of that worn by the Cathars who
were often said to have been associated with the Grail. The premise
that
the Cathars held an unsurpassed treasure more historically meaningful
than the root of Christianity, it is said, led Rome to exterminate the
ascetic Cathari sect in the savage campaign called the Albigensian
Crusade, culminating in the hideous massacre at Montsegur where the
treasure was supposedly hidden.
During research for the war crimes trials at Nuremberg, it was
discovered that Hitler had ordered that the heads of pure young Aryan
Germans be cut off in an attempt to communicate with ascended masters
from the East through these disembodied heads. There is an obvious
connection here to the powers of the Grail, an object for which the
Nazis spent so much energy searching. Rituals such as this, and even
the
shrunken heads kept by cannibalistic tribes, all suggest at least some
passing acquaintance with the original Crystal Skull, or at least one
of
its fanciful copies.
This connection between the two would also make sense of the skull
portrayed in the paintings by Poussin of the mystical tomb. The
references to Golgotha as `the place of the skull' in one gospel
would make sense if it was kept for so long in Jerusalem.
In and of itself, the Grail is a portal into the fourth dimension, and
beyond. And it is more than just a one way ticket out—it can also be
used for those coming into the planet to arrive, a dangerous attribute
for our planet's future:
"But this time we have created a new way for Earthlings to become
star people: cellular attunement to the corridor between Earth and sky
through resonation with the galactic diamond."
In her discussion of the Mayans and Egyptians as teaching races with
direct links to the Pleiades, Barbara Clow happens to mention further
the ability of the skulls to act as portals:
"So Maya deposited a crystal skull at Saquarra in a deep pit near
the Pyramid of Unas, during the reign of Merne. That skull was
activated
and the portal reopened in AD 1990."
It is also therefore a time machine for it allows people to travel
interdimensionally and be able to come out on the other end, as it
were,
through the power of the skull. This is the same ability it was
mentioned that the Pyramids once possessed, and will again.
Wolfram and the Original Legend
The original story of how Wolfram first heard the story of the Grail
is
worth telling at this time because in it is suggested the true
translation of its symbolism.
Wolfram explains that he first got the information from one Kyot de
Provence—who in turn received it from a man named Flegetanis:
"Anyone who asked me before about the Grail and took me to task for
not telling him was very much in the wrong. Kyot asked me not to
reveal
this, for Adventure commanded him to give it no thought until she
herself, Adventure, should invite the telling, and then one must speak
of it, of course.
"Kyot, the well-known master, found in Toledo, discarded, set down
in heathen writing, the first source of this adventure.. He first had
to
learn the abc's, but without the art of black magic . . .
"A heathen, Flegetanis, had achieved high renown for his learning.
This scholar of nature was descended from Solomon and born of a family
which had long been Israelite until baptism became our shield against
the fire of Hell. He wrote the adventure of the Grail. On his
father's side, Flegetanis was a heathen, who worshiped a calf . . .
"The heathen Flegetanis could tell us how all the stars set and rise
again . . . To the circling course of the stars man's affairs and
destiny are linked. Flegetanis the heathen saw with his own eyes in
the
constellations things he was shy to talk about, hidden mysteries. He
said there was a thing called the Grail, whose name he had read
clearly
in the constellations (which we shall deal with). A host of angels
left
it on the earth. Since then, baptized men have had the task of
guarding
it, and with such chaste discipline that those who are called to the
service of the Grail are always noble men. Thus wrote Flegetanis of
these things.
"Kyot, the wise master, set about to trace this tale in Latin books,
to see where there ever had been a people, dedicated to purity and
worthy of caring for the Grail. He read the chronicles of the lands,
in
Britain and elsewhere, in France and in Ireland, and in Anjou he found
the tale. There he read the true story of Mazadan, and the exact
record
of all his family was written there."
Kyot de Provence has been traced to Guiot de Provins—a troubadour,
monk, and spokesman for the Templars. It is thought most probable that
Wolfram and Guiot may have met in Germany in 1184 at the chivalric
festival of Pentecost at which the Holy Roman Emperor, Frederick
Barbarossa, conferred knighthood upon his sons. Flegetanis is presumed
to be a real person as well, and Toledo was a center of esoteric
studies, both Judaic and Muslim, at the time.
Explanations and the Grail Legend
The symbolism related to the Grail and to Grail lore has many layers
of
meaning much like the symbolism of Masonry and other secret societies,
and much like the Ancient Mysteries themselves which have various
levels
of interpretation to be known by each initiation level.
While the Grail is in fact the Crystal Skull with all its multitude of
powers and abilities, the Grail legends and Grail lore that have been
built up around it, relate at a higher level to the Ancient Mysteries
themselves, of which the Crystal Skull is but a representative. . .
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