Rag-Head Sleep-Walkers [hamilton]
   <—— TURN OFF:  Temple Blue Nite-Lite

   ᶰᶻ ᵐᵒˢˢᵃᵈ ᶰᶻ ᵐᵒˢˢᵃᵈ ᶰᶻ ᵐᵒˢˢᵃᵈ ᶰᶻ ᵐᵒˢˢᵃᵈ ᶰᶻ ᵐᵒˢˢᵃᵈ

   Kiaora,

   My Own Ariki (chief) Still, Of Evident Leading Consciousness,
   Of The Tainui Kiingitanga Confederation Of Iwi,
   With Blessed Reminders To Me Personally,
   Of The Stolen:

                   "BOMBAY"
                   "BOMBAY HILLS"

ALL STOLEN LANDS:  Te Awamarahi
                                   Ruakeripo
                                   Mangatawhiri
                                   Tarahanga
                                   Rangiriri
                                   ETC.

TAINUI KIINGITANGA (kingdom) TERRITORY !

My Above Mentioned Ariki, Knows For Certain That
I Still Possess Those Very Rare Maps, Saved With
Aroha For Another Time And Place . . . This Is That Time.
For He Is My Ariki Still, And I Assuredly Have A
Mission Statement . . .

  "BOMBAY HILLS"  ?

  SAME CROOKED MOTORWAY NAMES,
  INDIAN RE-NAMED
  BRITISH HINDOO DEVIL CABAL MAAORI INSULTS !

  STOLEN RAG-HEAD THIEVES:

    NGATI TAMAOHO IWI WHENUA (lands)
    STOLEN HILLS, STOLEN "bombay hills".
    RE-NAMED BY HINDOO DEMONS and POMS.

  ------------------------------------------------

  Sleep-Walking Rag-Heads [hamilton]
  Turning-Out Temple Blue Nite-Lite

  ENERGY WASTING BLUE TEMPLE LIGHT

ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ

  Kanwaljit Singh Baks
  M.P. National Party
  New Zealand Parliament

  Sitting In The Back Of Parliament Usually Saying Nothing,
  When Does Read Script, Sounds Foreign Non-Assimilated.

  Turning Out The Energy Wasting Blue Temple Light Comes
  With The Realisation That An Indian Conspiracy At The
  National Museum In Auckland,
  Transpired Not So Long Ago.

  Tickets Were Purchased,
  Stickers Were Placed Upon All,
  Security Officers With Such Rude Noisey Interrogation
  Inside The Museum Itself.  Indian Security Guard And
  Ticket Taker, With Direct Knowledge That Tickets Were
  Purchased.

  An Indian Named JAVIA Who Works At The Auckland
  National Museum (NZ), And In A Direct Conspiracy Of
  Evil With Fellow Indian Conspirator Security Guard,
  Did A Most Shameful And Heinous Act !

     *  Entrance Fees Were Paid
         Stickers Were Given To Me And My Whaanau
         (Whaanau = Maaori (Maori) Family)
         But The Conspiracy Was that The Security Guard
         Under Direction From JAVIA (ticket agent) Entered
         Inside The Museum And Rudely Interrogated
         (shook-down) Everyone About Having, Or Not
         Having A Sticker And Having Paid !

  JAVIA + Fellow INDIAN Security Officer, A Conspiracy,
  Very Evil And Treacherous At The Auckland Museum.

  My Own Maaori Whaanau Who Had Only Visited The
  Museum Once (paid gov. trip) During School, Wanted
  To Once Again See Inside.  They Were So Shocked And
  Very Upset At The Evil INDIAN Conspiracy Going-On
  At The Auckland Museum.

     * I Suppose That The JAVIA Conspiracy Was
       Touched-Off Because I Was Wearing A Very
       Distinctive Ethiopian Tri-Colour Shirt With
       The Lion Of Judah In The Middle.

  Evil Un-Saved PAGAN HINDOO INDIANS Most
  Definately HATE ETHIOPIA, HATE HAILE SELASSIE I
  AND MOST NOTABLY ETHIOPIAN ORTHODOXY
  ETHIOPIAN ORTHODOX CHRISTIANITY !

  JAVIA <----- Another One To SMACK !

  The Indian Coup In Fiji Is Also Worriesome,
  Because The Conspiring Indians Happen To Breed
  Like Rats, Breeding Out-Of-Control.
  ANIMALS With Absolutely No Ability To Either
  Control Themselves Or Even Fathom:
  WORLD OVER-POPULATION

——>    'The Energy Waste Of That Blue Light
               Upon That Sikh Pagan Demon Temple
               On The Motorway In North Hamilton'

  TURN OFF THAT BULB NOW !
  PULL THE PLUG NOW !
  CUT THE WIRE NOW !
  TURN OUT THAT PAGAN ENERGY WASTE BLUE BULB !

  The Incident At The National Museum Is Real,
  And I Do Not Forget Things That Affect My Whaanau,
  My Iwi, Myself Personally -- The Conspiracy Against
  Maaori (Māori) People,
  BY INDIANS !

  WHO *DO NOT*
  ASSIMILATE TO RATIONAL THOUGHT !

  THEN:  There Are The Multitude Of Place Names
              (Stolen Te Aotearoa) Given-Over To Indian
              Names:  'Bombay Hills', For Instance

  TIME TO CUT THE WIRE OF THAT
  ENERGY WASTING BLUE BULB IN NORTH HAMILTON.

                      JUST CUT THE WIRE !


ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ

* Inside "Joke" For Wellington Residents:
  I Was Wearing Blue Dungarees
  (Blue Flair w/ Black Stripes)
  When I Visited The Beehive Parliament Building
  In Wellington In May, 2011.

ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ

  At The Te Papa Museum In Wellington,
  There Is An Electronic [Box] On The Wall
  Where Visitors Can Press Buttons And
  See If Their Choices:  Enables Them To
  Become A Citizen Of New Zealand.

           I Suppose That I Am
             Not Pressing The
              Right Buttons !

  I Was The First International Student
  To Inquire About Taking Te Reo Māori,
  At Waiariki, Rotorua, Be Accepted, Pay Fees,
  And The First International Citizen To Be
  Officially Accepted To Take Te Reo Māori.

  I Was Supposed To Start My Course On
  17 February, 2012 !

  I AM STILL PRESSING BUTTONS !

  WHILE A WHOLE INVASION OF SO-CALLED
  "refugee" ($ Indians $ Chinese $ Waffen Dotcom)
  FOREIGN INVADERS TAKE-OVER TE AOTEAROA
  (NZ) . . .  . . . WHEN A HIGH RANKING ARIKI WITH
  VERY DIRECT BLOOD-LINE TO
  HEI KINGI PŌTATAU TE WHEROWHERO
  WANTING ME TO STAY !

                 YOU DEVIL PAAKEHAA !
       I AM GOING TO PUSH YOUR BUTTONS
      I AM GOING TO PUSH YOU OVER A CLIFF
              AND DRIVE YOU INTO THE SEA !


ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ ᴎᴢ


SLAMMING AUCKLAND MUSEUM:

Museums as artifacts of colonisation
(Opinion – Rangituhia Hollis)
http://news.tangatawhenua.com/archives/16578

3 March, 2012

Notes from a first vista to the Auckland War – Puehu Blog (17 Nov 2010) –
http://puehu.tumblr.com

At this point I realized that in an instant I had accepted how the carvings
were displayed, associated my own history with the example provided and
wanted some degree of reciprocated validation of its value, from these
representatives from America.
Inside the Auckland Museum I took in the offerings of Maori artifacts in the
frontispiece.

Walking amidst the dim light restricted corridors of Oceanic art’s display
cases, I entered the permanent ‘Maori treasures’ exhibition – lending my
weight to an arm support that eased my transition between spaces and allowed
me to balance awkwardly on a gradient aside a successive series of
poutokomanawa (Carved Poles).

These were carvings that seemed wholly divorced from any functional context
I had ever seen them in before. The black matte steel supports and similarly
painted shelves upon which the carvings were rested, seemed in essence to
allude to the linear vertical edges of Hotere or perhaps posterized outlines
of textural cloak weaves.

There was in evidence some degree of effort on the part of the museum to
present the traditional with the neo-traditional or contemporary as a
progressing continuum of thought. However the contextual allusion appeared
to direct itself better toward the bleak and temporary housing qualities of
a social welfare home.

I was standing there, aware of their detachment from their previous lives –
on Marae or in Whare – realizing that they bared little semblance to
functional participles of traditional Maori ideology – when placed on a
shelf – and that supposedly there were objective museum directives at work,
when I recognized an example of Ngati Porou carving.

Identified by the form of the eyes, and confirmed by a supplicant title to
be from my own Iwi (tribe). This is where I noted that anyone intending to
look at the carvings would have to stand in the same lop sided stance that I
was in, in order to view what in my understanding is a symbol of my own
Maori identity.

It seems almost surreal now but as I was thinking this, a couple of generic
American tourists laden with gift shop plastic bags and wearing baseball
caps trundled down the slope.

They didn’t look at the carving that I had by now identified with, which
pissed me off somewhat and I remember raising a discerning eyebrow at them
as they waddled off in a centripetal direction toward the wharenui (Main
carved house).

At this point I realized that in an instant I had accepted how the carvings
were displayed, associated my own history with the example provided and
wanted some degree of reciprocated validation of its value, from these
representatives from America.

I’d fallen into the trap that the museum has for the naive viewer – the
false impression that it offers more than just a contrived representation of
a people (one that people and Marae reveal as false).  By mistakenly reading
truth onto this space one reveals a people eclipsed by colonization. With
artifacts left in fragmented debris for curators to aggrandize the auspices
of museums.

But maybe this is just one way that colonizations work.

With subtle changes in context to alter the meaning of the text/objects
supported, then after a little while you begin to forget the change and take
things for granted. And it’d be easy enough to think that this is the way it
was or is or should be, without questioning it all.

Background
Rangituhia Hollis has a background in visual arts and bicultural social
practice, and this interesting combination feeds into his moving image work
which focuses on urban identity and relationships through the structures of
gaming, animation and home video.

Rangituhia believes “we make meaning through our banal activities in real
spaces”, and he looks forward to “getting close to the source of the old
colonial British Empire to explore the implications of appropriating place”.

Rangituhia has recently finished his MFA (hons) at Elam School of Fine Art
in Auckland. Recent shows include Ka wi wi, Ka wa wa at Tairawhiti Museum,
Gisbourne, and Architecture for the Nation, the 2008 ‘new artists’
exhibition at ARTSPACE, Auckland.


†
†
†

ﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣ
Ras Mikaere Enoch Mc Carty
Maangai Kaawanatanga - Tainui Kiingitanga - Te Aotearoa
http://www.exorcist.org.nz          Ko te Mana Motuhake
http://www.exorcist.org.nz/earthquake.mp3
http://www.exorcist.org.nz/nz_sis_gcsb_evil_racist_spying.html
http://www.exorcist.org.nz/iankahi_eriya_nation_john_frum.html
ﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣ

   ——>   "I may state without fear of contradiction
                 that there is not one inch of land in the
                 New Zealand Islands which is not claimed
                 by the Maoris; and is not a hill, or a valley,
                 stream, river, or forest, which has not a name,
                 the index of some point  of Maori history"

                                           — John White
                                                Maori Land Tenure

Taamau Mate:    Ngāti Parekawa
                          Ngāti Tamainupo
                          Ngāti Ngutu
                          Tainui Waka Confederation
                           Ngāti Maniapoto
                           Ngai Tūhoe
                           Ngāti Toarangatira
                           Te Tau Ihu
                           Hauraki
                           Ngāti Raukawa
                           Marutūahu
                           Tāmaki